Ryan Paris
1 Film
Ryan Paris
1 Included Film

Fabio Roscioli (born 12 March 1953), known by his stage name Ryan Paris, is an Italian singer, songwriter, musician and actor who gained international popularity in 1983 for the worldwide hit single "Dolce Vita", written and produced by Pierluigi Giombini. "Dolce Vita" was released in the United Kingdom on the Carrere Records label, distributed by RCA and spent ten weeks in the UK Singles Chart, peaking at Number 5. The record peaked at Number 1 in France, Belgium, Netherlands, Denmark, Norway, Spain and peaked at Number 3 in Germany. Ryan Paris continued to release records in the mid-1980s and 1990s. In 2010 he made a comeback with a new song, "I Wanna Love You Once Again", which he wrote and composed, with production by Eddy Mi Ami. At the end of that year, Paris co-produced a remix of "Dolce Vita" which peaked at number 54 in the official French club chart. In 2013, the song "Sensation of Love", written and produced by Paris, was released as a single by Bulgarian artist Miroslav Kostadinov, peaking at number 15 in the official Bulgarian CD chart. A new version of the song, with a more 1980s vibe, co-produced by Paris together with Eddy Mi Ami and sung in a duet with Valerie Flor, was released in March 2014. Paris continues to record and produce songs; his most recent releases include the songs "You Are My Life", "Buonasera Dolce Vita" and "Love on Ice". In December 2017, Paris sang "Dolce Vita" in the Catalan language for the Fundació la Marato. This version was produced by Jordi Cubino (David Lyme) and was recorded as a charity single for the benefit of the foundation, with the proceeds being utilised for the study of several human illnesses. Source: Article "Ryan Paris" from Wikipedia in English, licensed under CC-BY-SA 3.0.

251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italy subs in some parts
251 min cut: Italy Eagle Pictures Blu-ray better encoding than Fox Blu-ray
139 min cut: VHS?
Eagle Pictures 4K Blu-ray from nic's review. Will wait for the caps to decide whether it's better than previous Blu-ray
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.US theatrical cut is infamously bad, was panned at release and never re-released on home video.

251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italy subs in some parts
251 min cut: Italy Eagle Pictures Blu-ray better encoding than Fox Blu-ray
139 min cut: VHS?
Eagle Pictures 4K Blu-ray from nic's review. Will wait for the caps to decide whether it's better than previous Blu-ray
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.US theatrical cut is infamously bad, was panned at release and never re-released on home video.
1 film